Which Chess Opening Move is Best? Part 3

In Part 1, we discussed 1.e4. Part 2 was all about 1.d4. Now it’s time to talk about the so-called Flank Openings.

Since I have discussed 1.c4 previously, I’ll focus on other moves, starting with…

 

1.Nf3 — Definitely NOT for keeping things simple

Former World Champion Vladimir Kramnik was the most successful exponent of 1.Nf3. Photo: ruchess.ru

Unless you are married to 1.e4 until death-do-you-part, opening with 1.Nf3 seems very appealing because of the flexibilty it allows in the closed openings. You can weave in and out of different systems based on your preferences or the opponent you are facing.

I’ve dabbled with 1.Nf3 since 1999 (A Strategic Opening Repertoire by John Donaldson). Conclusion: the move is more trouble than it’s worth.

Prepare an opening repertoire based on main lines, then play it. Start with 1.e4, 1.d4, or 1.c4. Your rating will thank you. Don’t get cute. More often than not, you’ll confuse yourself or you’ll wind up in lines your opponents know better than you do!

There is one more move to seriously consider that doesn’t get mentioned nearly as often:

 

1.g3 — A reasonable choice!

Obviously, this move commits White to a kingside fianchetto; otherwise, I think it could be a good choice for the right player. Black cannot be sure what exactly he’s facing, or not facing: 1.Nf3 takes away the King’s English (1.c4 e5), the Benko, Albin, and Budapest…but it also creates limitations against the Queen’s Gambit, Grunfeld, and King’s Indian, for example.

GM Samy Shoker has made a career of this move and wrote a book about it, with Emmanuel Neiman.

 

Now onto a bunch of moves I don’t recommend against your peers or better. My commentary may be harsh or dismissive, but that’s exactly how strong opponents will treat these moves.

Yes, they are playable. No, you should not be struggling for equality with the White pieces! It’s not the right way to play chess (though anything is fine occasionally). Sorry, not sorry!

I wholeheartedly agree with Greg Shahade when it comes to building an opening repertoire.

Of course, all of this goes out the window if you are facing significantly weaker opposition, or find yourself in a blitz/rapid competition.

 

1.b3 — I thought Spassky refuted this in 1970?

I’m kidding…sort of. In case you don’t know, I’m referring to this:

Larsen-Spassky was played during the USSR vs. World match in Belgrade 1970. Photo: FIDE

50 years have passed since this game; even now strong players occasionallly use Larsen’s Opening. So why do I bring up this game?

Black’s play is easy and natural; White’s setup is shaky from the get-go. Why do this to yourself?

Once again, I’m not saying to never use it, but please don’t on a regular basis!

 

1.f4 — Are you sure?

Henry Edward Bird
Henry Bird (1830-1908). 1877 drawing by Sam Lloyd. Source: Wikipedia

Be honest, Bird’s Opening regulars: how many of you push the f-pawn because you don’t want to spend time and energy studying something else?

Experienced opponents will be on guard from the beginning, recognizing the latent attacking potential in your setup and prepare for it long in advance.

One can argue White is playing a Dutch with an extra tempo, so it can’t be that bad. Still, I would not want to use it all the time against players who know it’s coming.

1.Nc3 — Pointless

Most likely, this move will box you into worse versions of openings you’re desperately trying to avoid. Next…

 

1.b4 — At least it gains space and doesn’t weaken the kingside…

Alexey Sokolsky
Alexey Sokolsky (1908-1969) A giant of chess in Belarus. Photo: Wikipedia

I think the Orangutan (or Sokolsky’s Opening) is a great opening for creative types to employ against someone rated 400+ points below them, because it is not completely ridiculous, admittedly.

Fittingly, New York IM Yury Lapshun wrote a book about it, co-authored with late National Master Nick Conticello. RIP, NIck.

But I’ll echo what I’ve said many times already: White is taking on a handicap by regularly using this against peers.

 

Others?

1.g4 is, to me, a riskier version of stuff like 1.b4. Instead of this, you’re better off pushing the a- or h-pawns, if you feel you must.

If you want to play with chemicals, the Sodium Attack (1.Na3) and Ammonia Attack (1.Nh3) at least develop a piece.

Again, no argument from me if you want to use this stuff against much lower-rated players, or in non-classical settings. Otherwise, avoid!

Watch Strong Players Play, in Person

Inspiration and Motivation

I recently wrote about my first chess tournaments. The beginning of a player’s career is critical in the development of their feelings and attitudes about the game and their own place in it.

The skittles area looks different, and yet the same. The site: Borough of Manhattan Community College. Photo: Tribeca Citizen

If you’re as clueless about chess as I was and feel you’re bashing your head against a wall — go watch strong players in person.

“Strong” depends on your level and respect for “chess authority.”

As a newbie, I was awed by the 1700s playing blitz and bughouse at the 1996 Greater NY Junior Championship organized by the Chess Center of New York.

They let me play some games, too…and crushed me in humiliating fashion.

I have never forgotten it. It kept me motivated to get stronger. Even when I sometimes wanted to quit.

A week later at the same location I watched GMs Joel Benjamin and Michael Rohde play a long series of blitz games…these guys wrote articles I read in Chess Life each month! I was starstruck.

It didn’t much matter that I finished 60th out of 65 players. Walking out of BMCC I was shaking my fist determined to improve.

Years later

During my time as Assistant Manager of the Marshall Chess Club (2003-2005) I loved watching “regulars” play. Examples: Marc Arnold, Julio Becerra, Salvijus Bercys, Jay Bonin, Fabiano Caruana, Asa Hoffmann, Giorgi Kacheishvili, Dmytro Kedyk, Kassa Korley, Irina Krush, Yury Lapshun, Alex Lenderman, Adam Maltese, Leif Pressman, Boris Privman, Raven Sturt and Leonid Yudasin. It was my favorite part of the job!

I always take the opportunity to watch high-rated players play as a player. spectator, or director. It isn’t about chess osmosis, though I do believe that exists. These experiences connect me with chess in a way solitary study and online play cannot.

The answer to chess improvement is desire…and maybe, just maybe, getting mad. You will manage a way. Watching strong players play in person, and sometimes getting your clock cleaned, can be a real help.