Fun with the Noteboom Variation
I have written before that taking up the French Defense saved my chess career. Well, that was great for facing 1.e4, but I needed something against the closed openings. One day in 1999 my dad brought home a book that helped me solve this task for awhile. Thanks, Dad.
Play the Noteboom is the title of a 1996 book written by Mark van der Werf and Teun van der Vorm, and published by Cadogan Books (now Everyman Chess).
The Noteboom Variation is a cross between the Slav and Semi-Slav Defenses, characterized by the positon after, for example:
Black takes the c4-pawn and might hold onto it!
In the main line, black gives back the pawn and a very unusual situation arises:
Black has two outside, connected passed pawns! This single factor made the Noteboom really appealing to me in the late 1990s and early 2000s: as long as I didn’t get mated, I often wound up with winning or nearly winning endgames!
I had a ridiculous score with the Noteboom Variation when my opponents allowed it, including some nice upsets. The fun didn’t stop there, however.
The Marshall Gambit
White can avoid this situation by playing an Anti-Noteboom system. The most common and best choice is the Marshall Gambit:
This early central thrust is not possible in the Slav or Semi-Slav because Black has a knight on f6. The main line continues:
When White has definite compensation for the missing pawn: open lines for the queen and bishops, and a drafty Black king to target.
I believe the main move here is 8…Na6. But as a firm adherent of the “take and hold” school of chess, I used to play 8…Nd7, threatening to shut out white’s monster bishop with 9…c5.
Four of my tournament games reached this position. My opponents played 9.Bd6 or 9.Qd6. Then I held on for dear life after…
…and won all four games! Now, I probably had losing positions in three of them, but sometimes Caissa is on your side. My opponents included an A-player, the same Expert twice, and my first master scalp in tournament play.
Um, yeah. Don’t try this at home!
Now I view all of this very differently. In the main line Noteboom Variation White has a strong bishop pair and his central play could end up being…shall we say…problematic. 15 years later, I wouldn’t try a “rope-a-dope” strategy against the Marshall Gambit. Not a recipe for success…
Also, amateurs are more familiar with the opening now than in the late 1990s, notably with The Triangle System (2012) by Ruslan Scherbakov.
Desperate people do desperate things. I was a weak player without much confidence and relied on a material advantage to win long, drawn-out endgames. I didn’t think I could win any other way. That led me to playing these semi-bluff openings.
Funnily enough, nowadays I have a massive score against the Noteboom on ICC! A great thing about playing an opening is that you understand how to play against it, too!
Do you have similar experiences? Please share!