The Canal Trap arises from the Italian Game (1.e4 e5 2.Nf3 Nc6 3.Bc4):
This has been extremely popular at high level for many years now. The consensus among top players seems to be that black’s strongest reply is 3…Bc5, entering the Giuoco Piano:
From there, White typically plays the modest pawn pushes c2-c3 and d2-d3 and develops quietly. This, the Giuoco Pianissimo, has become perhaps the mainline of the open games:
Instead, White can develop a knight to c3 and go for piece play. The Canal Variation comes about after 4.d3 Nf6 5.Nc3 d6 6.Bg5:
Black has some different choices, and that can be a problem. After the sequence 6…h6 7.Bxf6 Qxf6 8.Nd5 Qd8 9.c3 (other moves will be analyzed in the notes below):
Black should play 9…a6 which preserves the dark-squared bishop from exchange from white’s d2-d4 or b2-b4 pawn advances. Instead, he loses after the normal-looking 9…Be6?
Can you see why? This is the Canal Trap.
Use the Canal Variation (and maybe the Canal Trap) to win games!
Sound, Solid, Infrequently (Well-)Played…
Peruvian GM Esteban Canal (1896-1981). Photo: ajedrez365.com
Three characteristics of an opening line to consider! By my count I am 3-0 in tournament play with the Canal (all against lower-rated players, so take that for what it’s worth).
More important, my students score quite well with it, and always get good positions out of the opening. Since it’s a forgotten line, their scholastic opponents don’t know the subtleties of defending it.
David Thompson holds a Master’s degree in Mathematics and has over 12 years of experience in competitive chess. As the lead writer for Chess-Essentials.com, David is dedicated to sharing his extensive knowledge of chess strategies and tactics. His clear and insightful articles are designed to help players of all levels enhance their skills and understanding of the game.
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